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Jonathan Leviathan

by Arthur Davenport

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  • Compact Disc (CD) + Digital Album

    Shrinkwrapped Compact Disc in Foldout Paper Sleeve

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1.
Long Dark Highway​ by Arthur Davenport (1994, 2016-17) We are riding on down a long dark highway. It can go on ninety years or more. We come down. It starts in your hometown, right outside your mother’s front door. We are riding on down a long dark highway. Asleep at the wheel we go down the road. We fly through the night, on freeways and byways, to the City of Lights that burns evermore. Then in the morning, the sun comes up rising. The shadows fade back with the darkness at bay. We are riding down a long dark highway. It don’t matter if we’re coming or going. There is no map. The stars will guide us, on to where lies our destiny’s shore. We are riding on a long dark highway, with a motor, headlight, steering wheel, and a goal. We stop for fuel, or to pick up, or drop off, a load. Then return to rolling down the highway, and hope all is clear on down the road. We are riding down a long dark highway. Can’t see too far, up ahead down the road. The light shines out, parting the curtain of darkness, and by that light, we find our way home. We are riding down a long dark highway, singing songs to the radio. Our hearts beat in time, without out hesitating. We keep moving on, just watching it roll. We keep moving on, and watching it roll. We keep moving on, watching it roll. We keep moving on, watching it roll. We keep moving on, watching it roll. We keep moving on, watching it roll. We keep moving on, watching it roll. We keep moving on, watching it roll.
2.
Hilo Town 03:13
Hilo Town G-Em-C-D (3X) G=Em-C-D-C-D (1X) Your eyes, they looking tired, sleep away awhile. We’ll ride down to Hilo Town, to watch the ships come in. Forget about the past, you can afford a little while. We’ll ride down to Hilo Town, to watch the waves roll in, The tide’s coming in, to Hilo Town, town, riding down, to Hilo Town, Hilo Town, town, riding down, to Hilo Town. Your ship is coming in, and the waves are rolling in, they’re rolling in, rolling in, The tide’s coming in, in Hilo Town. G-Em-C-D (1X) G-Em-C-D-C-D (1X) Your mind is at its end these days. All of your good friends, they say, With all your work and all your play, how can you afford to be that way? No matter what the road your on, it’s hard to tell the time, I can’t wait ‘til I find, Hilo Town, town, riding down, to Hilo Town, Hilo Town, town, riding down, to Hilo Town, Your ship is coming in, the waves are rolling in, rolling in, rolling in, The tide is coming in, to Hilo Town.
3.
Warm Up in A 01:35
4.
All along the watery way, so good to find a friend to play and keep the rhythm of the waves, as we sail away. I’m floating in my boat they call “The Dave”. He flies through the water, beneath the waves. Passing the hours that spin by, with ballads, chanteys and lullabies. Just off shore, I found a friend, 'twas, Jonathan Leviathan. Strange it seemed, though is true, he came up from the blue. I was out fishing, but not catching, when the whale came by. Much to my wonder, he came over, looked me in the eye. He told me without saying, “we shared a dream last night”. Your melody, my harmony, it was musical delight. Now all of this came to me in his language, I don’t know how we managed to understand without words. It was wonderful, and so absurd. I was half way to seventy, captain of a dingy. He, a young whale, out of academy. He looked at me intuitively, right through me, and said his name was Jonathan, then we played a song, It went… (Instrumental break) For three of us we come here, we only leave alone. In between awake and dream we’re living nature’s songs. The dancing drummer dives into the rhythm of the waves. So good where me and you can find the time to play. Jonathan Leviathan, you have been such a good friend. I hate to see you go away. But I know you’re hungry from your long journey. And it’s time for dreaming on, into the great beyond, down through the inky blue, the deep blue beyond. Fare thee well dear Jon!
5.
Waltz in G 00:57
6.
Won’t be too long, no more waiting. Close your eyes. Dreams on wings, they'll take you far away, up above the clouds, floating on sweet cream, heart on wings, angels come to take you off to sleep. See the river run thousands of miles to nowhere, and the road stretches on. Through the desert we’ve been wandering, on the journey of the lost ones, En la jornada de lo muerto. There on the hill, see the crosses, they tell their tales of woe. But that was a long time, such a long time ago. We’ve found paradise, for the rose of the morning light will show you. So sleep sweet my love, though the storm rages outside your window. Your friends have come to play, and in our garden, es la dulce rosa. En la jornada de lo muerto (on the day of the man dying, literally. Also a name-place of a region of New Mexico, USA, north of Las Cruces and South of Soccoro where many travellers perished during migrations. es la rosa dulce (is the rose sweet) (Put in Body of Works, Metaphysical 2016.12.05) (Written as lyrics for music by Steve Young in Las Cruces, NM, about a Grandfather who is dying, singing his grandson to sleep, telling a tale of their ancestor's lives, while the storm rages outside the window.
7.
A Melody 02:01
8.
Say, my friend, did you know that all the tribes came from one man? We are a family, all the children of Abraham. Oh, would you gather ‘round brethren. Have you heard the good news coming? Grandfather made a plan for a family reunion. He sent the word ‘cross land and sea to all the tribes in the family, Joshua, Levi, Ali and William. All the children of Abraham are asked to come to a family reunion. It has been a long time since we have come together. So long, that some forgot, we’re sisters and brothers. Even those far away, across the sea, they’re all in the family. All the children of Abraham are asked to come, to a family reunion. He says in his invitation, all should come as United Nations. Often the hardest lessons bring the greatest blessings. He says in his invitation, Grandfather has one wish, is that we heal each other with forgiveness. All the children of Abraham, he loves everyone, and he wants a family reunion. All the children of Abraham are asked to come to a family reunion. Oh, do you believe we’re in the land of milk and honey? So few know it’s true, now doesn’t that seem funny? Spare the lamb, the grass needs grazing. Spare the rod, the child needs praising. May all the good you do, someday come back to you. All the children of Abraham, he loves everyone, and he wants a family reunion. All the children of Abraham are asked to come to a family reunion.
9.
Drop D Waltz 01:21
10.
From the day that we’re born to the day that we die we are filled with a promise and a lie, that if we tow the line, there’ll come a better time, and we’ll all live in comfort one day. But in the highest courts, and on the senate floor, a poor man’s voice is never heard. Where money speaks so much louder than words. And the rich man always gets his pay. The rich man always gets his pay. Oh, the common man works all his days to live and eat on little pay. But he’s cargo and freight, just a number on a slate where the rich man always gets his pay. With a hammer and a nail. With a plow and a bale. With a wrench, and a sewing machine. The poor man toils while the rich man gets the spoils. Yeah, the rich man always gets his pay. Oh, the rich man always gets his pay. The rich man always gets his pay.
11.
I have dreamed on this mountain since first born to my mother, and you can’t just take my dreams away, without me watching No, you can’t just take my dreams away. You may drive a big machine, but I was born to a great big woman. No, you can’t just take her dreams away, not with me watching. No, you can’t just take her dreams away. This old mountain raised up my family. Some moved on, some are still living. If you come here for taking our mountain, well, you not gonna get it. No, you can’t just take our dreams away. I have dreamed on this mountain with my sisters and my brothers, and you can’t just take our dreams away. You may drive a big machine, but you can turn around and leave. No, you can’t just take our dreams away, not with us protecting, no, you can’t just take our dreams away. This old mountain raised up my family. Some moved on, some are here living. If you come here for taking our mountain, well, we’ve not come here to give it. I have dreamed on this mountain, since first born to my mother, and you can’t just take our dreams away with us watching. No, you can’t just take our dreams away.
12.
Oh No, Uh Uh 03:14
It’s been a long time, good to see you again. I wondered what that you’d been doing, and might I call you a friend? I said with a grin. She says, “You messed around on me. It hurt me so. I appreciate your invitation, but, I got to let you go.” Oh, no, no, no. No, no, no, uh uh. What did you say? No, no, no, uh uh. Sorry you feel that way. Didn’t mean to ruin your day. Didn’t mean to ruin your day. I did not mean to ruin your day, I’m sorry you feel that way. Yea, I’d been wondering. I thought I’ll give you a call. Hello! I didn’t know it would be such a blow. Excuse me, I’m going to crawl under the door. There’s no need to get up. No. No. Uh uh. Hmm, what did you say? No. No. Uh uh. I’m sorry you feel that way. I didn’t mean to ruin your day. I didn’t mean to ruin your day. I did not mean to ruin your day. So sorry you feel that way. So you think I’m crazy. I need some therapy? Might be true, the things I’m going through, have got me down on my knees. She says, “Please.” No. No. No. Uh uh. What did you say? No. No. Uh uh. Sorry you feel that way. I didn’t mean to ruin your day. I didn’t mean to ruin your day. I did not mean to ruin your day. I’m so sorry you feel that way. Fading I didn’t mean to ruin your day. I didn’t mean to ruin your day. I didn’t mean to ruin your day. I didn’t mean to ruin your day.
13.
Marjorie 02:01
Marjorie, where you going all alone? Saw you were by the water side, again, skipping stones. Can’t you see, won’t you see, that today is almost gone. You and me, I’d hoped that we, could be, heading home. I’m heading home, with Marjorie. Instrumental Break Marjorie, you know only time will tell. Saw you were passing the day at your wishing well. Can’t you see, it’s time for fare-thee-well. You and me, I’d hoped that we, could be, heading home. Heading home, with Marjorie.
14.
ennifer’s Rabbit Lyrics by Tom Paxton Jennifer slept in her little bed, With dreams of a rabbit in her little head. Jennifer's rabbit, brown and white, Left the house and ran away one night, Along with a turtle and a kangaroo, And seventeen monkeys from the city zoo, And Jennifer too. They ran through the forest and they all held hands. They came to the ocean with the cookie crumb sands. They called it the sea of the very best dreams, And they all built a castle of the best moonbeams, And milky way streams. And there on the sand where the star fish play, The ship sailed in from the moonbeam bay, And they all went sailing on the starlight sea, Where they all had cookies with oolong tea, And Jenny had three. They danced on the decks of the red-sailed brig. The monkeys and the sailors did a whirling jig. Turtle played the fiddle and the rabbit played kazoo, And they bowed to each other as polite folks do. And Jenny bowed too. Then, "My!" said the turtle as the clock struck three, "The hour is growing very late for me." "Not at all," said the rabbit. "And I'll tell you why, We still havn't counted every star in the sky". Said Jenny "Let's try." So they counted on the ship and they counted on the shore. They counted through the forest to the bedroom door. They counted in bed till they could count no more. Then they all fell asleep and the final score, Was a trillion and four. Yes the rabbit and the turtle and the kangaroo, And Jenny fell asleep like sleepy folks do, Just like you.
15.
All along the watery way, so good to find a friend to play and keep the rhythm of the waves, as we sail away. I’m floating in my boat they call “The Dave”. He flies through the water, beneath the waves. Passing the hours that spin by, with ballads, chanteys and lullabies. Just off shore, I found a friend, 'twas, Jonathan Leviathan. Strange it seemed, though is true, he came up from the blue. I was out fishing, but not catching, when the whale came by. Much to my wonder, he came over, looked me in the eye. He told me without saying, “we shared a dream last night”. Your melody, my harmony, it was musical delight. Now all of this came to me in his language, I don’t know how we managed to understand without words. It was wonderful, and so absurd. I was half way to seventy, captain of a dingy. He, a young whale, out of academy. He looked at me intuitively, right through me, and said his name was Jonathan, then we played a song, It went… (Instrumental break) For three of us we come here, we only leave alone. In between awake and dream we’re living nature’s songs. The dancing drummer dives into the rhythm of the waves. So good where me and you can find the time to play. Jonathan Leviathan, you have been such a good friend. I hate to see you go away. But I know you’re hungry from your long journey. And it’s time for dreaming on, into the great beyond, down through the inky blue, the deep blue beyond. Fare thee well dear Jon!

about

I wanted to publish an album of songs similar to the way that I perform on stage, with ballads sandwiched between instrumentals. I perform that way to rest my voice and hands between ballads, since the instrumentals are easier to play, and provide an interlude between the ballads.

This record has songs that I normally play solo, singing and playing on guitar, enriched with contributions from my artist friends who helped to develop a fuller production.

credits

released April 8, 2021

Ted Fenstermacher, David LaFleur, Steve Young, Peter Irvine, Joshua Timmons and Tim Ball were supporting instrumentalists. Will Russell wove the tapestry, and provided sagely advice.

Will Russell, Art Davenport, David LaFleur, Steve Young, Daniel Bower, Mark Allen Miller, Sam Bradley, Tim Ball and Michael Surprenant were recording engineers.

(Studios: Electric Wilburland, Good Read Music LLC Studio, Chez LaFleur, Steve Young Studio, Moonlight Forest Studio, Sam Bradley Studio and Mana Music Studio)

Recording Notes: Arthur, Steve and David recorded their own parts in Hawai’i, Ohio and Delaware.

Till Ball recorded at Electric Wilburland in New York, Peter Irvine recorded at Sonelab in Massachusetts, Ted Festermacher at Moonlight Forest Studio in Pennsylvania, Joshua Timmons at Sam Bradley Studio in Hawai’i.

Arthur also recorded the “live” songs Hilo Town, Fernando Sor Instrumentals, Jennifer’s Rabbit, Mountain Song, Marjorie and Oh No, Uh Uh at Mana Music Studio in Hawai’i.

Mixed by Will Russell at Electric WIlburland in Newfield, New York, and by Arthur Davenport at the Good Read Music LLC studio in Hilo, Hawaii.

Mixing Notes: Will wore a Producer hat on Jennifer’s Rabbit and The Rich Man Always Gets His Pay. Art mixed the Jonathan Leviathan iterations, with Will performing sonic shaping to the mix, (frequency equalization, effects.)

Mastered by Will Russell at Electric Wilburland.

George Mann, The Side Artists, Marisa Maiero, Adam Keola and Will Russell were the heroes.

(George featured my song “So Near, So Far” on his compilation CD “Until You Come Home” to support recovery of Veterans, and introduced me to Will Russell.)

Album Illustration by Tim Foley with Typography by Mark Jackson-Weaver (put your company name here if you want to Mark.)

Dedicated to Jonathan, The Leviathan

(Please visit ArthurDavenport.com for more details on this album.)

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Arthur Davenport Hilo, Hawaii

Singer-Songwriter, Poet, Supporting Artist on Vocals, Acoustic Guitar and Ukulele. Contact me for collaborations.

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